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Browsing SEXTETS
| Description: | Format: | Price: | |
|---|---|---|---|
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arr. Lynne Latham • Score and parts • Cello I and II are difficult. Latham Music | Sextets | $44.95 |
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Midnight | Sextets | $21.95 |
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Instrumentation: Trumpet 1-2, Horn, Trombone 1-2, Bass Trombone A medley of What Child Is This? (Greensleeves), The First Noel, and God Rest Ye Merry Gentlemen is developed through fresh and colorful harmonic variations. The chromatic harmonies and changes in tempo and meter provide challenging material through which to develop the skills of basic musicianship and interpretation. The music is not technically difficult, and should be well within the grasp of intermediate to advanced ensembles from high school to professional levels. The rhythmic idioms are lively and expressive, and each instrument is featured in both solo and ensemble roles. Advance | Sextets | $69.95 |
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Supraphon | Sextets | $99.20 |
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Instrumentation: Trumpet 1-2, Horn, Trombone 1-2, Bass Trombone This spirited traditional carol is taken on a musical voyage through several different tempos, keys and moods, including a Latin section with an optional shaker accompaniment. The chromatic harmonies and changes in tempo and meter provide challenging material through which to develop the skills of basic musicianship and interpretation. The music is not technically difficult, and should be well within the grasp of intermediate to advanced ensembles from high school to professional levels. Each instrument is featured in both solo and ensemble roles. Advance | Sextets | $54.95 |
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About Serenade for Winds Sextet Version (1781). By Wolfgang Amadeus Mozart. Edited by Daniel N. Leeson; Neal Zaslaw. For Clarinet (B Flat) (2), Horn (2), Bassoon (2). Set of Parts; Urtext Edition. KV 375. Published by Baerenreiter-Ausgaben (German import). (BA5334) Barenreiter | Sextets | $54.95 |
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Late in the evening on his name day in 1781 Mozart was on his way to bed when he suddenly heard familiar sounds coming from outside: the six musicians who had given the première of his Serenade in E-flat major two weeks beforehand and whom he had described as "poor fellows, but who can blow together quite nicely" had now met in the courtyard and were serenading him with his own work. Although it was officially composed for Therese Hickel, in actual fact Mozart mainly wanted to impress Emperor Joseph II, whose chief of the royal chamber music often went to Therese’s house – "That’s the reason why I also put a little effort into it". Did it really help? At any rate Mozart was appointed imperial chamber composer by Joseph II a few years later. Henle | Sextets | $52.95 |
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Ed.: Egon Voss Urtext Edition, paperbound with parts for Horn in E flat and F, and parts for Violoncello and Double Bass. It is hardly surprising that Beethoven did not write any more chamber music for winds after 1800. Following the change to middle-class musical culture, demand declined for buoyant serenades and divertimenti intended for court circles – a genre that Beethoven had reservations about as it was. Composed in 1795 with no known occasion in mind, his Sextet op. 81b is thus all the more remarkable, standing out on account of the unusual virtuosity of the horn parts. Our edition is the first to provide the bass part as originally intended by Beethoven: for violoncello supported by a double bass. In addition to the original horn parts in E flat, it also contains transposed parts in F. Henle | Sextets | $49.95 |
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Imc | Sextets | $92.95 |
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Instrumentation: Trumpet 1-2, Horn, Trombone 1-2, Bass Trombone A beautiful series of harmonic variations on this well-known Christmas favorite is developed with modulations through several different keys, featuring the individual instruments in both solo and ensemble roles. The music is not technically difficult, and the chromatic harmonies provide an opportunity to work on the expressive aspects of this evocative and lyrical piece. Advance | Sextets | $54.95 |
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Volver was originally composed by the man whose name is more closely associated than any other with the tango genre, singer/composer Carlos Gardel (1887/1890 – 1935). His birthplace and birthdate are both uncertain and are fiercely debated between France and Uruguay, but he grew up in the Abasto section of Buenos Aires and subsequently became an Argentine citizen. He introduced tangos into his repertoire in 1917, and during his career he composed some of the best-loved of them such as Soledad, Por Una Cabeza, El Dia Que Me Quieras, and, of course, Volver. As a singer he interpreted and recorded literally hundreds of tangos, and he enjoyed enormous world-wide popularity. Gardel died tragically in an airplane accident in Medellín, Colombia, in 1935, a death that plunged all of Latin America into deep mourning. The present author has attemped to modernize Volver by giving it a kind of Afro-Cuban rhythmic structure in its 6/8 time scheme, and he has provided a significant technical and musical challenge to the soloist. Instrumentation: Solo Violin, Violin 1, Violin 2, Viola, Violoncello, Contrabass Advance | Sextets | $64.95 |
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